Guidelines for Symposium Host Candidates (cont...)
シンポジウム主催立候補者のためのガイドライン(続き)
1. BACKGROUND
2. GENERAL CONDITIONS
3. THE SYMPOSIUM PROGRAM
4. ELEMENTS OF THE SYMPOSIUM
4.a Core Sessions
4.b Optional Events
5. AGENCIES
6. INCOME
7. PROPOSAL SUBMISSION
8. AGREEMENT BETWEEN THE HOST ORGANIZATION AND ISEA
The content of the Symposium is developed as follows:
• The
Host Organization circulates a Call for Papers & Participation for
the Symposium via a world-wide mailing.
• The Host Organization sends each proposal to at least two members of
the IPC (according to their expertise). See section 5a.
• The role of the IPC is to jury, rank, and select proposals and papers.
• The Host Organization is encouraged to include several invited
speakers, performers, exhibitors, etc. in the program in addition to
those selected through the jurying process.
• A Preliminary Program is proposed to the entire IPC. The IPC must
have the chance to comment before the official Preliminary Program is
printed.
• The Preliminary Program is distributed by the Host Organization on a
large scale, including a registration form. Since this is the main
announcement of the symposium it has to be mailed out world-wide in time
for potential participants to make all necessary arrangements, i.e.
approximately six months before the actual event.
• The Final Program is made available to Symposium participants only.
4.a Core Sessions
Each Host Organization proposes and coordinates its own
program structure. Each Symposium program is developed from a core set
of sessions which include:
Papers
• offer the state of the art in electronic art theory and practice.
Panels
• offer an open discussion on themes relating to each Symposium
Posters sessions
• permit artists and researchers to showcase new projects and works
Institutional
Presentations
• short presentations by institutions involved in promoting, funding,
or education in the electronic arts.
• Institutional presenters pay the normal registration fees.
• Institutional presentations are intended to be general overviews of
an organization. • Specific
artistic projects, collaborative or done by individuals, should be
submitted as artistic project presentations.
Artistic Project
Presentations
• presentations which provide background on works which are part of the
ISEA exhibition and performances. These presentations may be
invited after the appropriate juries have made selections.
• Presentations on works which are not technically possible to
exhibit/perform at the particular ISEA. These presentations are to
be selected from open call, and from recommendations from the jury of
works that could not be included becasue of technical limitations.
• Presentations of works in progress that would benefit from feedback,
call for collaborations, etc.
Round Tables
• organized discussions around a proposed theme
Workshops
• offer hands-on training for new technologies, software and information
Tutorials
• offer introductions to diverse fields of electronic art for newcomers
to that field
An ISEA General Assembly
• the annual general meeting of members
Publications
• each Symposium publishes the official Symposium proceedings; other
documents are also published such as CD-ROMs, catalogues, etc.
4b. Optional Events
Electronic Theater
• screens a selection of computer animation and film works
Electronic Art Exhibition
• displays interactive art, photography, installations, sculptures
Concerts and Performances
• include a range of music, dance, performance and mixed media events
Public Events
• events aimed at the local population at large, including radio and TV
events
