INL 10
THE INTER-SOCIETY FOR THE ELECTRONIC ARTS
THE ISEA NEWSLETTER
NUMBER 10, OCTOBER 1992
__________________________________________________________________________
Editors: Wim van der Plas, Dirk Boon (Holland).
Correspondents: Yoshiyuki Abe (Japan), Roger Malina (US), Ivan Pope(UK),
Leslie Bishko (US)
ISEA, POB 60103, 9703 BC Groningen, The Netherlands
Tel 31-50-425254, Fax 31-75-701906,
Email ISEA@RUG.NL or A430WYNA@DIAMOND.SARA.NL
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CONTENTS
EDITORIAL
FISEA93: THE ART FACTOR Roman Verostko
SEIZING THE MEDIA Ivan Pope
ARTEC93 Roger Malina
INTERNATIONAL SCULPTURE EXHIBITION Alexandre Vitkin
CALL FOR PAPERSFOR PAPERS Michael Benedikt
TELENOIA Roy Ascott
CALENDAR
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EDITORIAL
A few weeks later than planned, but in time (that is before the ISEA
meeting at the Third International Symposium on Electronic Art in Sydney
in November), we propose to you the new Board of the Inter-Society.
Regular ISEA members have until November 1, 1992, to send us written
objections to the board membership of any of the persons, whose resume
follows.
1. THEO HESPER
Jakarta, Indonesia. Born 1944, Holland
Education:
-Technical College, Rotterdam
-Delft University of Technology, Dept of Electrical Engineering
Work:
-Systems Analyst,Project Manager,Production Manager
-Consultant for a number of Dutch and international companies. Among
others: Philips, Dutch Railroad (NS), the 'Delta Works' and TNO (National
Research Labs). The 'Delta Works' project involved the development of a
mobile sub marine robot. The work at TNO involved the development of a
real time graphics simulator of a harbour scene.
Work in Indonesia:
-Management Information Systems Expert for Diesel Generation Efficiency
Improvement Project
-Consultant for Khali Duphar
Other functions
1984 Initiation of first computer graphics courses at Dutch artschool
(Rotterdam School of Arts)
1984-1988 Board, Foundation for Creative Computer Applications
1988 Member International Program Committee, FISEA
1990 Member International Program Committee, SISEA
1992 Member International Program Committee, TISEA
Member International Program Committee, FISEA'93
1990-now Chairman of the Board, ISEA
The founding of the Foundation for Creative Computer Applications (SCCA),
the International Symposia on Electronic Art and the Inter-Society for the
Electronic Arts are all Theo Hesper's original ideas.
2. ROMAN VEROSTKO
Minneapolis, USA. Born 1929, USA.
Education
1947 Diploma, Art Institute of Pittsburgh
1955 B.A., St. Vincent College, Latrobe, Pennsylvania
1961 M.F.A., Pratt Institute, Brooklyn, New York
1962-63 Atelier 17, Paris
Professional
1963-68 Faculty, St. Vincent College
1968- Faculty, Minneapolis College of Art and Design
1970 Bush Leadership Fellow, Visiting Scholar (Summer),
Center For Advanced Visual Studies, MIT, Cambridge.
1985 Zhejiang Academy of Fine Arts, China, Visiting Prof.
Computer generated art - selected recent shows:
-CRASH, Computer Assisted Hardcopy, Group Invitational, Wright Museum,
Beloit, Wisconsin, 1988. (Traveling 1988-1991).
-Pathways: 25 Years from Brush to Plotter, Solo, Honeywell Corporate
Gallery, Minneapolis, 1989.
-The Technological Imagination: Machines in the Garden of Art, Intermedia
Arts Minnesota and MCAD, Mpls 1989.
-SIGGRAPH '90 Art Show, Dallas, Texas, August 1990; Computer Museum,
Boston, 1990; European Tour 1991-92.
-4th National Computer Art Invitational, Eastern Washington University,
1991 (Traveling western states, 1991 - 1993).
-El Art / Exhibition of Electronic Art, Retretti Art Center, Punkaharju,
Finland, Summer, 1991.
-Interface: Art & Computer, Park Avenue Atrium, N.Y., 1991.
-Dada/Data: Developing Media Since 1970, Maryland Art Place & UMBC,
Baltimore, USA, Oct/Nov 1991.
-Imagina: Images Beyond Imagination, Institut National de l'Audiovisuel,
Monte Carlo, 1992.
-SIGGRAPH '92 Art Show, Chicago.
Related publications:
-"Epigenetic Painting: Software As Genotype, A New Dimension of Art",
First International Symposium On Electronic Art (Utrecht, 1988), published
in Leonardo, Vol. 23, No. 1 (1990).
-Computer Illustrations, Limited Edition of George Boole's "Derivation of
the Laws" from "The Laws of Thought", St. Sebastian Press, Mpls., 1990.
(Also paper bound, ISBN 1-879508-07-9)
3. MARTHA HESPER - DE HAAS
Rotterdam, Holland. Born 1947, Holland
Education:
College for Social Studies, Rotterdam
Sociology (Erasmus University Rotterdam)
Courses:
Management of Non-Profit Organizations
Introduction to Computer Science
Trade Union Management
PR & Marketing for Non-Profit Organizations
Work
70-75 Social Worker, Social Security Rotterdam
75-80 Researcher for Dept of Social Welfare, City of Rotterdam
80-85 Staff Member Dept of Social Welfare, City of Rotterdam
86-now Paid Official, Labour Union
Other functions and activities (selection)
1984 Founder, Foundation for Creative Computer Applications (SCCA)
1984 Lecture: Introduction to Computer Graphics, Holland
Animation Workshop in Boymans van Beuningen Museum, Rotterdam
1985 Staff member, Information Project Computer Art, SCCA,Rotterdam
1986 Lecture on SCCA, Dies Natalis, Erasmus University Rotterdam
86-88 Staff member, First International Symposium on Electronic Art
1990 Co-founder, ISEA
4. SIMON PENNY (no resume received)
Gainesville (FL), USA. Born in Australia
Artist and Art Professor
-Carnegie Mellon University, Pittsburgh, Pa
-University of Florida
Numerous exhibitions, a.o. Siggraph '90 (Dallas)
Member of the Australian delegation at FISEA '88
Two Paper presentations at SISEA '90:
-Machine Culture
-The Measure of All Things, a brief history of anthromorphism in
art & industry
Chair of the SIGGRAPH '93 Art Show
5. WIM VAN DER PLAS
Groningen, Holland. Born 1946, Holland
Education
-Pedagogical Academy Rotterdam (College for Teacher Training)
-Doctorate Social & Cultural Sciences, Erasmus University Rotterdam
Work
1984-1988 Director, Foundation for Creative Computer Applications (SCCA),
Rotterdam
1987-1988 Staff member, Research & Development Department, Utrecht School
of Arts (HKU)
1988-now Coordinator, National Institute for Computer Animation, Groningen
1989-1991 Executive Director, Second International Symposium on Electronic
Art (SISEA), Groningen
1990-now Editor, Professional Images Magazine, (PF Publishing, Zoetermeer)
1990-now Board member, Inter-Society for the Electronic Arts
1991-1992 Professor, History and Context of Animation and Electronic Art
(at SCAN/Groningen Polytechnic Art Dept)
Projects
Most Important Symposia organized:
-Information Project Computer Art, 1985, Rotterdam
-First International Symposium on Electronic Art (FISEA), Utrecht, 1988,
(executive director until March 1988, after that: advisor)
-Computer Animation: The International State of the Art, 1988, Groningen
Museum
-International seminar "The Future of Computer Animation", Utrecht, 1989
-Second International Symposium on Electronic Art (SISEA), 1990, Groningen
-Design & Sound in Interactive Multi-Media Productions, 1991, Groningen
Publications
Publishes very regularly in general and professional newspapers and
magazines in Holland.
Selected other publications (many titles originally in Dutch):
-The Rotterdam Art Council & the Myth of the Effervescencing Heart,
Erasmus University, 1982.
-Art & Popular Culture. In: Neerlands Volksleven, volume 33 #1.
-Can Rock be Art? In: Proceedings Second Int. Conference IASPM,
Reggio d'Emilia, 1983. Reprinted in: Jahrbuch Peters der Musikwis-
senschaft fur 1983/84, Leipzig, 1984.
-Tom & Jerry Cartoons. In: The Design of Everyday Life, Utrecht, 1984
-The Existential Humor of Tom & Jerry. In Skrien, summer 1984.
-Video & Computer. In: Catologue World-wide Videofestival 1984.
Reprinted in: Art, Technology & Society, Erasmus University, 1984
and also in Computer Art, Tilburg University, 1985.
-Computers in the Visual Arts. In: Computer Art, Tilburg University, 1985.
-Project Computer Art. Editor, SCCA 1985.
-Visual Computer Applications. In catalogue Digital Images,
Bonnefanten Museum, Maastricht 1986.
-Reader Computer Art. Editor and preface, Utrecht College of Art, 1986.
-Computer Graphics and Computer Art. In 1987 Spectrum Jaarboek
(Annual Encyclopedia), Spectrum publishers, 1987
-Course book NOS-course Application of Animation. Editor computer
animation chapters, author of one of them, NOS, 1987.
-Computer Aided Design. In: 1000 x 1, Rietveld Academy, 1987.
-Electronic Art, Supplementary Issue of Leonardo, the Journal of
the International Society for the Arts, Science and Technology
Berkeley, 1988 (guest editor).
-SISEA Book of Abstracts (Editor) RHG Groningen, 1990
-SISEA Proceedings (Preface & Editor), SISEA Groningen, 1991
-Best of SISEA Video Tape (Editor), SISEA Groningen 1991
-SISEA Symposium Report. Leonardo, the Journal of the International
Society for the Arts, Sciences and Technology (Berkeley), Pergamon,
Vol. 24 #5 1991.
ISEA PANEL DURING TISEA
On the last afternoon of last day of the Third International Symposium on
Electronic Art (TISEA, Sydney, Australia, 9-13 November) ISEA will present
itself during a plenary Panel Session.
Panel members are:
Yoshiuki Abe, ISEA Newsletter correspondent
Theo Hesper, Chairman of the ISEA Board
Heidi van der Plas, ISEA Administrator, Head of the SISEA Secretariat
Wim van der Plas, ISEA Board, Executive Director SISEA
Roman Verostko, Proposed ISEA Board member, Executive Director FISEA'93
The annual reports (1990-1992) will be summarized. An overview will be
given of ISEA's plans and their current status. The symposia of 1993
(Minneapolos, USA), 1994 (Helsinki, Finland or Sofia, Bulgaria), 1995
(Anchorage, USA) will be announced. During TISEA, an ISEA board meeting
will be devoted to new proposals concerning ISEA membershipfees. The
result will be announced during the panel and discussed with the audience.
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FOURTH INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART: THE ART FACTOR
Roman Verostko
Nov 3-7, 1993, Hosted by the Minneapolis College of Art & Design,
Minneapolis, Minnesota, USA. Participating institutions include:
University of Minnesota School of Music, the Walker Art Center, and
the Minneapolis Institute of Arts.
This Minneapolis symposium addresses current research, theory and
practice related to art and electronics, with an emphasis on "the art
factor". The term "art" applies broadly to forms that address sound,
image, word and body either specifically or as intermedia. This
includes works by visual artists, performers, musicians, and artists
developing new electronic formats.
Artists, scientists, arts critics, curators, educators, and others
interested in the use of electronics in the arts are encouraged to
participate. Beginning in 1993 this biennial series, first held in
Utrecht in 1988, becomes an annual event bringing together experts
from the worlds of art, science and technology.
This 1993 symposium will focus on artistic procedures and information
processing by artists. This includes technical procedures, related
research, and aesthetic/critical assessment of such art. Panelists and
speakers are encouraged to illustrate presentations with "works of
art". Practicing artists, who use electronic technologies, will be
welcomed to address procedures and applications. The symposium also
seeks to stimulate dialogue on arts criticism and foster an informed
critique of "the art factor" in the artist/machine dialectic.
Deadlines, 1993: Workshops, Tutorials, Papers, Panels: April 15;
Performance/Concert: May 15; Art Show, Electronic Theater: June 15;
Slide Show, Listening Room: July 15.
For submission guidelines address: FISEA 93, Mpls College of Art &
Design, 2501 Stevens Ave S, Mpls, MN 55404, USA. Phone: (612) 874-3754
FAX: (612) 874-3732 E-mail: fisea93@mcad
Program Chair: Roman Verostko, Email: roman@mcad.edu Tel: (612)
825-2720
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SEIZING THE MEDIA
Ivan Pope
>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
>
>!!!!!!!!!!!!!!!!!! SEIZING THE MEDIA: A NETWORKER CONGRESS !!!!!!!!!!!!!
>
> A weekend of activity to
> discuss, self-educate and put into practice
> the creation of subversive media.
>
>^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
> |
>-- Material and resource exchange| SEIZE THE MEDIA:
>->slides, fax, posters, booklets | 1:30PM Saturday 24th
> computer files, all welcome. | 6PM Sunday 25th October 1992
>-- Open workshop discussions | -> Bloomin' Arts Press, Princes Street
> -> bring your own ideas | Cowley Road, Oxford, OX4, UK.
>-- Practical action on |
> billboard improvement | If you can't make it in person you can
> -> Big Art and postering | take part in Seizing The Media by
>-- E-mail and fax facility | post, fax or e-mail
> to receive material to be | -> send documents, comments & posters.
> used over the weekend | Post to:
>Documentation to all participants| BM Jed, London WC1N 3XX, UK
> | Fax to:
>Materials supplied: | 0865 724317
>photocopier enlargement/reduction| E-mail to:
>and the streets of Oxford | Eastoxcomcen@GN.APC.ORG
>-------------------------------------------------------------------------
>Accomodation is available from Friday night onwards. To arrange this & or
>for other questions call Oxfin between 1-4PM Mon.-Fri. at (0865)240545.
>Please bring sufficient bedding as well as food and whatever else you
>fancy >to share. This event is free but please bring donations to cover
>costs.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^-
>The Worldwide Decentralized Networker Congress is a series of events to
>organize alternative cultural practices. For further information contact:
>Peter Kaufmann, Bergenwissenstrasse 11, CH-8123, Ebmatigen, Switzerland
>
>++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
>
>Reed Altemus
>Telematic Facilitator to the Worldwide Decentralized Networker Congress
>1992
>Email: raltemus@well.sf.ca.us OR iqm104@uriacc.uri.edu
>Tel: 401-782-6337
>mail: Kingston,RI 02881-0156 USA
>________________________________________________________________________
__________________________________________________________________________
Selected items from Fineart Forum, Volume 6 #10 and Leonardo Electronic
News, October 15, 1992
The Inter-Society for the Electronic Arts contributes to Fineart Forum
and republishes the items on electronic art on behalf of its members.
FAF and LEN are published by the International Society for Art, Science
and Technology on behalf of The Art, Science and Technology Network.
_________________________________________________________________________
ARTEC '93
Roger Malina
The Third International Biennale in Nagoya, Japan, 23 April - 6 June 1993
An event of art and technology, consisting of four main parts;
international competition & exhibition, open competition & exhibition,
lighting & illumination and a symposium.
Closing date for entries: 31 October 1992
Send enquiries to: The Open Competition, The Council for the International
Biennale in Nagoya, c/o the Chunichi Shimbun, 1-7-1, Sannomaru, Naka-ku,
Nagoya, 460-11, Japan, tel: 052 221 0753, fax: 052 221 0739.
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INTERNATIONAL SCULPTURE EXHIBITION
Alexandre Vitkine
CALL FOR PARTICIPATION
An INTERNATIONAL COMPUTER SCULPTURE EXHIBITION is planned to take place in
Paris in the near future. An art gallery in Paris seems interested, and
several artists, including Masaki Fujihata, are ready to participate. The
purpose of the exhibition is to make the project for the International
Computer Sculpture Atelier more widely known, especially to potential
sponsors.
Purpose of the Computer Sculpture Atelier:
In this Atelier, artists will be able to produce sculptures on com-
puter-controlled machines. Graphic artists could add a third dimension to
their works, sculptors could experiment with a new tool and students could
be trained.
This symbiosis of Science, Industry and Art may be of universal interest,
since apparently only a few experiments of this kind have been carried
out. Therefore the Atelier could provide a prestigious showcase for
manufacturers' most recent equipment.
Various techniques may be used, such as milling, loviformage (coilforming
by welding), stereolithography, joining or stacking of plates cut out with
tools such as lasers or water jets.
Current status of the Atelier project: Artists in several countries and
schools are already interested. A technical school near Paris, which has
produced several sculptures for the originator of the project, is willing
to produce the Atelier if funds are provided. More potential participants,
as well as sponsors willing to donate funds or equipment, are still being
sought.
Artists who have produced computer sculptures or who intend to produce
some in 1992 and are interested in participating in the exhibition are
encouraged to contact:
Alexandre Vitkine
66, rue d'Auguesseau
92100 Boulogne, France
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CALL FOR PAPERS
Michael Benedikt
******************* A n n o u n c e m e n t ***************
a n d
-------- CALL FOR PROPOSALS, ABSTRACTS, AND PAPERS ---------
3 C Y B E R C O N F
THE THIRD INTERNATIONAL CONFERENCE ON CYBERSPACE
MAY 14 and 15, 1993
AT
THE UNIVERSITY OF TEXAS AT AUSTIN
**********************************************************************
The Third Conference on Cyberspace will be held May 14 and 15, 1993 at
The University of Texas at Austin. This is a call for proposals for
performances and demonstrations as well as for extended abstracts and
papers, approximately twenty four of which will be selected by the
Program Committee for development and presentation at the Conference.
Selected papers, abstracts, and proposal documents will be published
as The Collected Papers of the Third Conference on Cyberspace and
available at the Conference. Arrangements are being made to broadcast
parts of the Conference on National Community Cable Television.
Papers should be around 6,000 words. Abstracts and proposals for
performances and demonstrations should be between 800 and 1000 words,
with illustrations and photographs where necessary. All are due in
hard copy and digital form at the address below by January 1, 1993.
Videotapes and recordings are also encouraged. Selectees will be
notified by February 15, 1993.
For more information, and a copy of the full announcement and call for
papers, write:
3CYBERCONF
THE THIRD International CONFERENCE ON CYBERSPACE
Submissions
School of Architecture
The University of Texas at Austin, Austin, Texas, 78712
Email: 3cyberconf@bongo.cc.utexas.edu
Phone: 512-471-6619
Fax: 512-471-0176
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TELENOIA
Roy Ascott
Telenoia - a V2 Organization project by Roy Ascott
artists online from 00.12h 31 October 1992 to 00.12h 1 November 1992
Telenoia is about telematic connectivity, mind-to-mind across the globe.
Artists worldwide making images, texts, music together. We want to make
authoring a collective experience and a collaborative process.
The themes we hope will weave their way through our networking will
recognize that it's Halloween - a kind of electronic, metaphysical,
out-of-body trick or treat.
We also want to use this 24 hour period, noon Saturday to noon Sunday, to
create a new day of the week - the eighth day of the week.
We'll use email like Earn, Bitnet, as well as Picturetel and fax. We'll
use Macs and Amigas, modems and fax machines.
Contact Alex Adriaansens, tel: 31 73 137958, fax: 31 73 122238.
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CALENDAR
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EUROGRAPHICS WORKSHOP ON OBJECT-ORIENTED GRAPHICS
28-30 October, Champery, Switzerland
Contact: Eurographics Workshop on Object-Oriented Graphics, Centre
Universitaire d'Informatique, 12 rue du Lac, CH-1207 Geneva, Switzerland,
Tel: 41 (22) 787 65 86, Fax: 41 (22) 735 39 05, E-mail: eoog@cui.unige.ch.
NICOGRAPH '92
The Computer Graphics Convention in Japan
November 9-13, 1992, Ikebukuro Sunshine City/ Yurakucho Mullion, Tokyo
Info:
Nicograph '92 secretariat, Ogawa Building, 1-2-2 Uchikanda Chiyoda-Ku,
Tokyo 101 Japan. Tel 81-3-32333475, Fax 81-3-32333450
2ND INTERNATIONAL FESTIVAL FOR ANIMATION 92 -
Simulation and Interaction Berlin
14-18 November 1992
Contact: IFA, DGFK, PF 274, D-1000 Berlin 10, Germany
COGNITIVA 92
20-23 November 1992, Madrid, Spain.
Contact:
AFCET-Cognitiva-92,
156 Bd. Periere, F-75017 Paris, France
Tel: 33-1-47662419
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CONFERENCES
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THIRD INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART
November 9-13, Sydney Australia
Info: TISEA, POB A307, Sydney South NSW 2000, Australia
Tel: 61-2-3605607 Fax: 61-2-3602943 Email: anat@peg.pegasus.oz.au
COMPUTERS in ART and DESIGN Conference
13 November 1992
Virginia Commonwealth University, Richmond, VA, USA
Contact: Steven Saltzberg, Academic Campus Copmuting Services,
Virginia Commonwealth University, Richmond, VA 23284-3008, USA.
Tel: 1-804-367-6650 Email: ssaltz@cabell.vcu.edu
SYMPOSIUM ON USER INTERFACE SOFTWARE AND TECHNOLOGY (UIST'92)
November 15-18, 1992
Doubletree Hotel, Monterey, CA, USA
3-D User Interfaces, Information Intensive Interfaces, Multimedia User
Interfaces, CSCW, Animation of User Interfaces, Toolkits, Examples.
Fee: US$ 450 (Students 0)
Info:
ACM, ph. 1-212-8697440, ext.603
Email: MEETINGS@ACMVM
HDTV & FUTURE TELEVISION '93
December 7-8, 1992
The Production Box at the Cumberland Hotel London, U.K.
HDTV, Wide Screen TV, Video Compression, Direct to home Satelite TV,
Computer Business booting up for Television, Electronic Cinema, Interac-
tive Broadcasting, etc.
Full rate: PS 517, One day: PS 282
Info:
Alice Taylor
Meckler Ltd
247-249 Vauxhall Bridge Road, London SW1V 1HQ, U.K.
phone: 44-71-9319985, fax: 44-71-9318908
CREATIVITY AND COGNITION SYMPOSIUM
April 13-15, 1993
Topic areas include Creativity in practice, Reflection upon and obser-
vation of the creative process, art practice and cognition, the role of
technology, creative communications: dialogue and interchange across
disciplines, cognitive concepts of creativity, computational models of
creativity.
Contact: The LUTCHI Research Centre, Loughborough University of
Technology, Loughborough, Leicestershire LE11 3TU, UK
Tel: (44) 509 222694 Fax: (44) 509 610815 Email: p.j.bolligan@lut.ac.uk
1st INTERNATIONAL CONFERENCE ON COGNITIVE MUSICOLOGY
Jyvaskyla, Finland
Deadline for papers 30 October 1992
(conference dates: 26-29 August 1993)
Contact: Jukka Louhivuori, University of Jyvaskyla, Department of
Musicology, P.O. Box 35, 40351 JYVASKYLA, FINLAND, tel: + 358 41 601
337, fax: + 358 41 601 331, e-mail: louhivuo@tukki.jyu.fi.
INTERNATIONAL CONFERENCE ON THREE DIMENSIONAL MEDIA TECHNOLOGY
November 3-5, Montreal Canada
3D Film, Video & TV, Stereo Computer Graphics & Animation, Virtual
Reality, Holography, Spatial Sound Systems, 3-D Multi Media,
3D Theory & Research
Info: 3Dmt Center Concordia University, 7141 Sherbrooke Street,
West Montreal, Canada H4B 1R6
Tel: 1-514-8482539 Fax: 1-514-8483492 Email: hal@vax2.concordia.ca
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EXHIBITIONS
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LUX EUROPAE
Exhibition of Light Installations
22 Oct 1992 - Jan 4 1993, Edingburgh
Lux Europae is a spectacular exhibition of light installations, bringing
together thirty European artists. Light forms involved include neon,
video, liquid crystal and laser.
ART & TECHNOLOGY
Work by Majorie Althorpe-Guyton
October 8 - 31, 1992
Ileana Tounta Contemporary Art Center
48 Armaton & Klefton, Athens, Greece
EXHIBITION ON DIGITAL PHOTOGRAPHY
By: Paul Berger, Carol Flax, Manual Esther Parada
October 22, 1992 - January 4, 1993
Opening by Jack Lang (Minister of Culture), October 21, 18.00 hours
Open: every day except Tuesdays, 09.45 - 17.00 hours
Centre National de la Photographie
Palais de Tokyo
13, Avenue du President Wilson, Paris 16, France
VISIONAY COMPUTER ART
As part of the International Futire Images Exhibition
July, 1993, Toky, Japan
Info:
Toshihiro Yatsumonji
Fuji Television Network Inc., Special Events
3-1 Kawada-cho, Shinjuku-ku, Tokyo, Japan
phone: 81-3-33531111
fax: 81-3-33594224
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COMPETITIONS
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IMAGINA COMPETITION
for the Pixel-INA Awards
Computer graphics, computer animation, image processing.
'All works featuring animated sequences of computer graphics and special
effects shall be allowed to compete'.
Categories:
Fiction, Research, Simulation, Art, 2D Animation, 3D Animation, Special
effects, Advertising, TV Credits, Schools & Universities.
Deadline: All works together with an enrolment form should be sent not
later than December 18th, 1992.
Info and forms:
INA
Delegation Strategie et Development Piece 3224
4. Avenue de l'Europe
94366 Bry sur Marne Cedex, France
phone: 33-1-49832684 (Pierre Henon, Lydia Boutot)
fax 33-1-49833185
________________________________________________________________________
ISEA distributes a hard copy version of this Newsletter in order to keep
its members, who have no access to Electronic Mail, informed. Those
members can, if they desire, get in touch with the Email addresses
mentioned in this Newsletter by contacting ISEA.
The Inter-Society aims at joining an already existing world-wide network
of artists, scientists and their institutes, making it easier for the
institutes and individual members to share expertise with each other. The
aims of the Inter-Society are to promote a structured approach to
electronic art and to help finance worthy electronic art projects. For
membership information contact ISEA at the address on the front page.
Support: Groningen University, Amsterdam University, De Fabriek/Hollandia.
End of Newsletter
